Queen Hatasu (From the Series Tailored Habitats)
|Paper Size||40 × 60 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
The bone-dry desert dunes, the sweaty thickness of the jungle, the loneliness of the glacial arctic. Nature has the overpowering force to captivate and fill our mind and senses with an elevated sense of wonder. I surrender to the beauty of the landscape and feel how I am connected to the land and all the creatures in it. As I stare into the distance with the same eyes as the first humans did, I am able to grasp how my roots are intertwined with everything that has ever been. Enveloped in mysticism I think of the future, and then faintly recognize my reflection in the horizon.
In 2016, two books will be published: Forest Green | Epoxy Grey in the Fall and Strangers in Common in the Spring with an accompanying solo exhibition for Forest Green | Epoxy Grey.