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Additional information
| Paper Size | 40 × 60 in |
|---|
$2,995.00
* DETAILS
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
I view architecture in a very graphical and geometric manner, and prefer to present architectural photographs in black & white. Architecture interacts with humanity in meaningful and complex ways. Architecture is a merger of form and function, shapes and angles, contrast and contours. This image illustrates the sharp contact that occurs when two lines of a building meet. The building featured in this image, which is flipped upside-down to accentuate the contact, is the Los Angeles Department of Water & Power building, located in downtown LA. Water and power. So basic. So mundane. Architecture brings greater meaning to even the most basic elements of our world.
Ben Arnon is a New York and Los Angeles-based visual journalist who specializes in documentary, editorial, and architectural photography. He documents the unflinching honesty of people’s lives and is particularly interested in examining socio-economic, class, and racial themes amongst and within communities of people. Ben is intrigued by the unique group dynamics and social performances that take place within different sub-cultures of people. Ben writes frequently for the Huffington Post, offering social commentary on a wide array of topics including visual arts, culture, society, digital media, and politics.