|Paper Size||40 × 60 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
Ben Cooper is a professional photographer based in Central Florida near Cape Canaveral and the Kennedy
Space Center. A photographer in the US space program, he has covered launches and other events at Cape
Canaveral and the Kennedy Space Center since July 1999, having now photographed over 190 missions and
launches to date.
For the final few years of the Space Shuttle program, he photographed for NASA and held a position on
NASA’s photo and engineering imaging team at the Kennedy Space Center and Cape Canaveral Air Force
Station. Work included mission-critical imagery of the shuttle’s exterior and orbiter tiles that ensured a safe
mission of the space shuttle on every flight, as well as public affairs imagery for distribution by NASA and
dozens of portraits and award ceremonies.
He specializes in aerospace, travel, science and astronomical photography, including traveling the globe to
chase solar eclipses, and with travel experience on six continents including Antarctica. With over 20 years of
experience in the field, he is also an alumnus of Embry-Riddle Aeronautical University with a Bachelor of
Science in Aerospace Engineering and minor in space studies/space history.