While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
For over twenty years, Claudio Cambon has documented the world. A graduate of Yale, he’s studied with Richard Benson, Jo Ann Walters, Stephen B. Smith and briefly with Linda Connor at the San Fransisco Art Institute.
Shipbreak coincides with the release of his forthcoming book by the same name published by Edition Patrick Frey in Zurich and distributed in the US by RAM Publications in Santa Monica. Of this iconic image, Claudio says, “Most ships are fairly boxy in appearance, but an ice-breaker retains curved lines more like those of a sailboat. Out of the water, she looked even more organic, like some sort of whale. Though stranded, I thought she might yet swim away.”
Claudio has exhibited, lectured and been published and collected internationally and in 2011 his work was part of the Italy Pavilion at the Venice Biennale — 81 years after his grandmother and 101 years after his grandfather , both painters, last exhibited there.