|Paper Size||60 × 80 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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While we may aspire, we have still figured the unknown through ghosts, gods, aliens and demons. Our doubts over biogenetic developments and the new controls promised over nature also find cultural form in the monstrous and in re-articulations of Prometheus’ downfall. Indeed, our origins are imagined in violent primal myths. Our future can be seen as a grim ecological uncertainty. We draw upon and wrestle with these states in the search for purpose and understanding. And still we aspire.
Those have stemmed from Them. This is an ongoing project where Treacy gathers abandoned clothing found in offbeat grounds and neglected spaces. These are dark underpasses, desolate riverbanks and lay-by overgrowth. They are on the other side of hoarding. His finds are assembled to appear as figures of retribution. They are perverse and macabre. Deviant. They are described by Treacy as the furtive fruit of these fertile grounds.
Those are born on grounds of transgression. We sense the temporal frailty of the Law in neglected space. The outsider and the freak lurk beyond its scope. We must negotiate the terrain on their terms, beyond civility. The discarded materials speak of bizarre infractions and inexplicable behaviour to the innocent eye. The excess is disturbing.
The sculpted objects hold this history in their present form. The rotting insole, the un-braiding threads and fungal growth also speak of reclamation. The original acts are silenced, meanings rebound, memory is inert. Those are archaic.
Those visualize the aspiring life forms of the underworld. Cellular structures, mitochondrial elements, seed pods, egg-like protrusions, vaginal and phallic shapes abound. They speak of dormant life forms and potentials unlocked.