While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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The image is kind of a hybrid at this early stage, a way of approaching research in a way that is not visually dull. I am photographing the actual spaces where I gather the clothing and clothing from that space, in a way that becomes an aestheticised form of research and one that also references crime scene photography. It may become a piece of work in its own right and part of a series but at this stage it is more research as work. It’s also one image from a commission from a men’s fashion magazine, so for me it’s an interesting clash of practice/research/commerce, where crucially the context remains true to my own intentions and motivations as an artist.
Treacy’s work has been exhibited widely in Europe, Canada, and the US, including “Theatres of the Real,” PhotoMuseum Antwerp, Belgium; ‘New Photography in Britain,” Galleria Civica de Modena, Italy; and “To Be Continued,” The Kunsthalle Helsinki, Finland. Treacy received the 2009 Man Photography Prize for “Them,” and was the inaugural recipient of the Jerwood/Portfolio Photography Award in 2003. His work is featured in the publications Auto Focus: The Self-Portrait in Contemporary Photography (Thames & Hudson, 2010) and Vitamin Ph: New Perspectives in Photography (Phaidon, 2006).