-by-Dmitry%20Lookianov.jpg "Untitled (from the series Instant Tomorrow)")
Untitled (from the series Instant Tomorrow)
Additional information
| Paper Size | 40 × 60 in |
|---|
$2,995.00
* DETAILS
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
This picture is one of most important images from the series “Instant Tomorrow” that I finished in 2015. I began by photographing my neighbourhood: the most typical and mundane district at the edge of Moscow which has nothing but tower blocks, parking lots and ugly malls. At first it was just architecture and cityscapes but then I started shooting interiors, observing and studying the objects in contemporary living spaces. I began by photographing my neighbourhood: the most typical and mundane district at the edge of Moscow which has nothing but tower blocks, parking lots and ugly malls. At first it was just architecture and cityscapes but then I started shooting interiors, observing and studying the objects in contemporary living spaces. I found that the interiors I shot were predominantly white or pale in colour, minimal, almost empty, and very sterile. However, the snowy cityscapes stripped of colours and details fit the project really well, reducing the elements in the cityscape, creating a feeling of artificial architectural models. Here, everything is instant: from the objects, food, daily routines, to words and ideas. I am inspired by the banality of life: the trips to the supermarket, the doctor, the fitness centre, the beauty salons; the same routes, the same scenery, the labyrinths of make-up aisles in the malls, TV ads and so on. I drew a lot of inspiration from books and films: I read Jean Baudrillard, Luis Mamford, Boris Groys, the Strugatsky brothers, and watched films by Ulrich Zaidl and Roy Anderson.