While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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In an age when technology is slowly replacing the tactile experience of reading a book, my work recalls and celebrates the joy of losing oneself within the pages of a favorite childhood tale.
My current project, entitled Prior Pleasures, is deeply influenced by my love of literature. This series explores memory and preservation of the past while ensuring the creation of a visual legacy for the next generation. The books photographed for this series are the ones I have carried with me since childhood. My mother read them to me and, in turn, I read them to my children, carrying on a tradition of the written and spoken word.
Prior Pleasures is created using a multiple exposure technique (without Photoshop.) I photograph the end pages, illustrations, and text. This process allows me to show the excitement of a book fluttering open and coming to life for readers of all generations.
Rediscovering these books led me to realize the power and value of the hands-on experience of reading. As I documented each volume, I was transported to a time and place that allowed for imagination and fantasy. With this series, I examine what it is that we remember and how we honor objects that inspired our early creative thinking. Ultimately, Prior Pleasures is meant to remind us that books can excite and enrich our lives.