Modern Slavery in Brazil
|Paper Size||40 × 60 in|
Out of stock
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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This image was born after I just moved to Brazil, a territory I had a lot to discover about. I started wondering about maps and statistics, all those images that define territories in a quite “authoritarian” way I felt, Brazil in that case, and to think how the perception they gave on a territory was far from what you can experiment while discovering and experimenting it. I decided to use maps that would show statistics and datas about Brazil, and to erase every single geographical or numerical mark. I wanted the way of apprehending the territory through maps and statistics to loose its authority, and to make those images becoming abstract, even poetical. I gathered the now-abstract-images, obtained from geopolitical maps, with poetical photographs of Brazil as I was discovering it. This image was born after a map showing modern slavery in Brazil.