Heavy Hitter
Additional information
| Paper Size | 40 × 60 in |
|---|
$2,995.00
* DETAILS
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
I’ve admired Michael’s fascinating work for many years. To me his artwork awakens memories of the cartoons and comic books I grew up with, combined with a contemporary style and his deeply personal twist. Recognizable, yet unpredictable.
His work contains so many details and layers that it’s sometimes hard to define when a piece is finished, both for Michael and for an outside spectator. A piece of art is in many ways a part of a continuous process that you happen to capture at a certain moment.
I instantly fell in love with this particular piece, and luckily Michael decided that I could have it once it was done! At the same time an exhibition of Michaels work was in the making, and slowly but surely they realized there would not be enough completed pieces in time for the opening. So in the end, this piece became a part of the exhibition and it was sold instantly. Nevertheless, I’m grateful to have captured this image which reminds me of both the piece and a wonderful collaboration at his studio. It embodies a mutual admiration of each other’s work as well as a long lasting and continuous friendship.
Henrik has worked closely with prominent artists like Shepard Fairey, Conor Harrington, ROA, Aryz, Borondo, Vhils, Saner, Faith47, DALeast, Ernest Zacharevic, Nychos and Ben Eine, and collaborated on large scale events and projects with NuArt, Urban Nation, Øksnehallen, No Limit Borås, Tropica – Bali Street Art Festival, ArtRebels and The Crystal Ship amongst others.