|Paper Size||40 × 50 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
I see photography as a way to document beauty where I find it in the world. Several years ago, I discovered a place of astonishing beauty: a half-forgotten greenhouse in rural southwest Michigan. Set back behind other greenhouses full of neat rows of docile flowers, this building is where damaged or unused plants are stored. Left in a state of benign neglect, wildness begins to show through the greenhouse’s ordered and deliberate human vision of nature.I have strived to capture the beautiful quiet chaos that results: polite domestic plants like petunias escape and grow roguishly on the floor or wherever else they can take root; wild plants and flowers outside the greenhouse draw close and press in against the transparent walls.I have returned again and again to this place where ill flowers are kept. Stepping into the heat of the moisture and life in the greenhouse is like being transported to another world.