-by-JESSICA%20TAMPAS.jpg "Untitled (Orange)")
Untitled (Orange)
Additional information
| Paper Size | 60 × 80 in |
|---|
$3,995.00
* DETAILS
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
In November 2011, I was awarded a two week fellowship at Ragdale in Illinois, a very inspirational place where I was able to start thinking about projects I wanted to work on. Upon returning to my daily life at home I was able to continue working and thinking creatively. It was a very dark Chicago winter and I became obsessed with filling my kitchen with flowers. During January and February I made over a thousand photographs of Cali Lilies. This is one of my favorites.
Jessica’s work is in numerous Private Collections and her she’s been profiled in Lenscratch, Fraction Magazine US & Japan, Elizabeth Avedon’s Blog and New City Magazine.