While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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Sites, No.83, 2014 is an image from a series that looks for instances of the [Joseph William Turner-esq] sublime within the urban landscape – scenes that are beautiful and simultaneously unsettling or foreboding. Much of this work focuses around architecture, obsolete architecture, and the complexity and scale and constant development of new structures in the landscape.
This image in particular is made from the rim of a defunct nuclear cooling tower located in Washington State. If you look straight down into this structure, you can see the floor and the inner workings of the cooling tower, which for me distracted from the otherwise abstract and powerful, almost ominous feeling of this structure. So, I underexposed it slightly and let that area fade to black. When produced at a large size and hung lower than a 60”-on-center, I find that it has an almost vertigo-producing affect.