Untitled (Deer with Coyotes)
|Paper Size||40 × 60 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
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The impulse behind LIFE EVERLASTING: I have a friend who is afraid of dying. That is, he says he doesn’t want to think about death, about it happening to him. But I think he’s thinking about it all the time. I know I am. (It’s kind of a big deal in our lives. One of the biggest.)
I look around; I see it happening continually. And it’s beautiful. Atoms miraculously coalesce into creatures and with death they transform into others.
This project began when I stumbled upon the scene of the deer. Though the setting was an urban preserve, there were no human tracks nearby–only those of coyotes. Shocked into awareness, I began to stumble upon other scenes with the same story-telling poignance, waiting to be read. A number of these pictures were found by chance a few steps from my door. Now, I seek them.
Perhaps my full-of-dread friend is thinking about himself as something other than a physical being. That’s a good thing to do. But maybe it’s not so good to forget he’s a physical being. He’s using the stuff he’s made of for a while, and then he’s going to let it be put to good use by other fellows. He’s an enthusiastic actor in the unending stream of life. He can take joy in that.
I tell my friend not to fret so much. I ask him to consider how he handled oblivion the day before he was conceived. He did fine. And he’ll handle it just as well the day after he dies.
Kevin’s work Chattel, is currently featured in aCurator.