While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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Lily is part of the series Another November, created following the end of a significant relationship in my life. It is a photographic narrative about the loss of love, with each woman portraying an emotional and circumstantial stage along the well-trodden track of the brokenhearted. Lily, seen in her crumbling bathroom in Paris, to me, represents a time when thoughts of the past are all-consuming and the pain and loneliness of losing someone you love are hard to bear.
Laura’s work is held in private collections and is shown internationally including a solo show at the Latvian Museum of Photography and group exhibitions at The National Portrait Gallery, The Centre for Fine Art Photography, Encontros da Imagem Festival and the Singapore International Photography Festival. She is a Critical Mass Top 50 winner (2014), received a special distinction in the Lens Culture Emerging Talents (2014) and was nominated as a finalist in the Photo d’Hotel Photo d’Auteur (PHPA/2014) and for the Taylor Wessing Portrait Prize 2013 and 2014.
She is a regular contributor to the press including The Times Magazine, Le Monde, Forbes and The Washington Post.