* DETAILS
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
The shooting spot of the image is up in the mountains. When I did my recon, it was in summer, so I could get up with a little funicular. In winter time this funicular is not running. So, I had to organize a helicopter to bring us on the spot. As you can see on the image, there was a lot of snow and no clouds, therefore it was bitter cold. As the helicopter wasn’t allowed to fly after twilight, we had to walk back for 2.5 hours with snow shoes, carrying all the equipment with us. This was a real adventure!
Luca’s 2012 Power Book, published by Benteli, Switzerland was followed by articles in the British Journal of Photography, Vrij Nederland, Business Insider USA, View Germany, Wired UK, MIND China, Geo International, Uncube, Slate and The New York Times.
His work is held in private and public collections including the Coup de Coeur ARTE Actions Culturelles, ARTE Art Collection (France) and the Departement of Culture of the City of Zurich (Switzerland).