Culture of the Confrontation
|Paper Size||40 × 60 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
From the project ‘Culture of the Confrontation’, 2013-2014, Maxim’s perception of photography has changed. He began filling his works with second meaning and associational level. He doesn’t want to specify the time period, the place and reasons. Through photography he wants to show eternal themes, wants people to associate his works with their memories from reading books, music, their own life.
Maxim is the recipient of numerous grants and awards: Finalist of the Prix Pictet Photography Prize, International Photographer of the Year in Lucie Awards, Finalist of the W. Eugene Smith Grant in Humanistic Photography, Winner of the Ville de Perpignan Remi Ochlik Award,
Magnum Photos competition ‘30 under 30’ for emerging documentary photographers, Winner of the Prix Photo La Quatrieme Image etc.
His photos were exhibited in solo and group exhibitions around the world: Musée d’Art Moderne (Paris), Somerset House (London), MAXXI, National Museum of XXI Century Arts (Rome), LUMA Westbau – Löwenbräukunst (Zurich), International Red Cross and Red Crescent Museum (Geneva), CAB Art Center (Brussels), Museum of The History of Ukraine in World War II (Kyiv),
Visa pour l’Image (Perpignan), European Solidarity Centre (Gdansk) etc.