The Wedding Day
Additional information
| Paper Size | 40 × 60 in |
|---|
$2,995.00
* DETAILS
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
There is a wedding of the son of the speaker of the Parliament of Abkhazia in a chic restaurant called Gagripsh. I got there by accident. I walked near this place and two women invited me to go with them to the wedding. They said to me “There was a President before you, but he had already left.”
Mikhail’s work has appeared in New York Times, The Washington Post, GEO, Spiegel, Le Monde, Liberation, Newsweek, NG Poland, BBC, Spiegel, Le Monde, Die Zeit, Forbes, Foreign Policy, The New Times, The Prime Russian Magazine, Russian Life, DailyBeast, The Boston Globe, Brand Eins, The Calvert Journal, NZZ, Berliner Zeitung, Die Zeit, Die Presse, Les Echos, Expressen, Journal Du Dimanche, Russian Reporter, SNC, Meduza, TimeOut, Glamur, Ogoniok, Lenta.ru, RBTH, Gazeta.ru, Vedomosti, Expert, Kommersant, RBC