Mont Saint Michel Study 2
|Paper Size||40 × 53 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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It has always been my desire to show the calming qualities of the subjects I photograph. Whether it’s a crowded Venetian canal or the waves pounding the cliffs of Point Lobos, my artistic pursuit is to provide an escape; I strive to foster a strong sense of solace through my work. I find myself returning to locations I have photographed a multitude of times and, in most cases, doing so reveals a new, intimate detail. This sensation often feels like the inherent, often enigmatic, quality of our world disclosing itself before me. As such, I develop a deeply personal connection, and a powerful respect for, the places I capture. I strive for my images to express a bemused sense of awe as I follow a creative process in which I work with ephemeral elements. I feel empowered by this potential of my images to shift the attention of any given subject to reveal new aspects within the scene. This feeling is what drives my artistic ambition to continue capturing our world.