Pattern Sky Burst – 2019
Additional information
| Paper Size | 60 × 75 in |
|---|
$3,995.00
* DETAILS
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
I shot this in Venice, California in the late spring of 2019. The Rock Purslane was in full bloom and seemed to have sprouted, from its center, a giant telephone pole that carried the pink even further into the sky. From there it burst into this kaleidoscopic image in my mind’s eye.
“I don’t know what it is exactly that I find so, romantic, amusing, nostalgic, and electrifying about the countless variations of intersection between the western sky and the miles and miles of utility lines that cross our view. I do know that it is something about the towering palms and the raw hewn poles standing as kin, the knotted junctions of wire and hardware impossibly entwined, and moments of meeting- buildings, branch and frond, that delights and ignites me. This interconnected airborne architecture of Los Angeles is impossible to escape and I find it endlessly inspiring.”