Delta IV, 2014
|Paper Size||60 × 75 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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This image is from a larger body of work looking at the repercussions of the closing of the Space Shuttle program on the surrounding communities and on the many contradictions the program and its demise engendered. In his collection of short stories, Memories of the Space Age, novelist JG Ballard describes a near future in which the infrastructure of the US Space Program has been abandoned, its gantries left to decay into the Florida swamp while inanimate astronauts circle the earth in an endless orbit. While the reality is not quite as dystopic as he suggests, the slow decline of the space program and its effects on the economy have made many of Ballard’s descriptions eerily prescient. Land-bound spacecraft, derelict motels and dead satellites tumbling through the darkness of space, all serve as evidence of a future age now passed.