While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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“No Place My Place” is one image of a series of five photographs shot in the island of Svalbard outside Norway. The series includes elements of drawing in order to see how these affect the concept of a place in an image. Will a place change its character and become my place, or would such elements only disturb the image are questions I wonder upon. When photographing the surroundings I had a strong sense of looking into no man’s land. I have photographed digitally with high ISO in order to achieve a noisy and rough expression in the images. Later I have processed the images in Photoshop, and added elements of drawing to examine how such elements affect the chosen motive. I have further reduced the resolution of the images, and again enlarged them in order to achieve an image of a place that almost disintegrates before your eyes when viewing the image.