Pognon’s Cave Remains
Additional information
| Paper Size | 40 × 57 in |
|---|
$2,995.00
* DETAILS
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
“What made this the magical spot where people built their temple to Moon-God Sin 2000 years ago? Taken during the phase of the new moon, this extended-exposure photograph imagines their discovery of lunar divinity in the night sky. Excavations by treasure hunters are a common sight today at Sogmatar, an Arab village. Villagers use stones, sections or caves that belong to the Sogmatar Temple, which has been scarcely studied scientifically, to build their houses or, as seen in this photograph, use them as shelter for their animals.” (Sogmatar: It is scientifically established that this region of Tektek Mountains, dated back to 2nd century AD, was a cult center where people of Harran were worshiping the deities of moon and the planets during the period of the Kingdom of Abgar. At the Sogmatar cult site, there is a cave (Pognon Cave) for worshiping the Lunar God of Sin, a hill (Kutsal Tepe) on whose slope there are deity reliefs and inscriptions carved on the ground, a mausoleum with a plan of six squares and a round, a citadel and many rock-cut tombs on the main rock.)