|Paper Size||40 × 54 in|
While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
Free Shipping to the US. Contact us for global shipping options.
Rising from the modest surroundings on the Venetian island of Guidecca, Chiesa del Santissimo Redentore (Church of the Most Holy Redeemer), commonly referred to Il Redentore, is an absolute masterpiece of Renaissance architecture. A plague which began in 1575 was decimating Venice and in 1576 the Senate asked for divine assistance vowing to build a church dedicated to the Redeemer. The plagued ended in 1577 and in fulfilling their vow and giving thanks for deliverance, the first cornerstone of the Chiesa del Santissimo Redentore was laid in May of 1577 and the church was consecrated in 1592. I chose to capture the Chiesa del Santissimo Redentore with a long exposure to highlight its enduring permanence which reveals its magnificence, in both physical and spiritual form, and pay honor to the devotion of the Venetian faithful.