While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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At only 22, and armed with a BFA from the School of Visual Arts, Department of Photography in New York, Zhe Zhu’s still life compositions have garnered worldwide attention. Following his 2014 solo exhibition in Beijing his work has appeared at Photo Basel, Ackermannshof Basel, Switzerland, Carma, New York, The Center For Fine Art Photography in Colorado, the Changjiang Contemporary Art Museum and the Visual Art Gallery in New York.
He has won the 15th Surface Avant Guardian Award and the International Photography Award, received an Honorable Mention at the Fifth Annual Exposure Award and was a finalist at the prestigious IRIS Awards at the Perth Centre for Photography.