While our recommended frame color and border or bleed choice is what we feel best complements the art and vision of the artist, by all means, choose a look that best complements your style and space.
Paper Size: Is based on Full Bleed and adding a border will change the aspect ratio, so paper size may adjust slightly smaller.
Glazing: To eliminate reflective glare, our biggest work (70″ to 80″ on the long side) is protected by an archival laminate in lieu of acrylic. Up to 60″ on the long side is protected by UV acrylic.
Border: If the framed image above is showing a white border, then clicking on Full Bleed will not show what full bleed looks like. We only show how a border will look. Your choice will appear on your order. The border on work up to 40″ x 60″ is about 2.5″ and about 3.5″ on our biggest work.
Frame Color: Clicking on Frame Color will not change the color of the frame, but your choice will appear on your order.
Frames: Our frames are custom made from robust solid wood Studio moulding, 2″ deep with a 3/4″ face width and joined at the corners with butterfly joints.
Orientation: Some work can be displayed either horizontal or vertical—should you wish to change orientation, please contact us and we’ll place the D-rings accordingly and confirm via email.
We print exclusively on Hahnemühle 100% Cotton Photo Rag Baryta paper and museum shadowbox frame in solid wood, Studio moulding handcrafted in a robust, contemporary profile preferred by galleries and museums worldwide.
Ask us should you need help or clarification. And please double check your (c)art to ensure your choices are correct.
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My “Auditorium” series has been built around a theme which always been among the most fascinating ones for me: symmetry. Similarly to my previous photo series, I’ve continued to look for places which have been built to embrace larger crowds, and are rarely seen in their “empty” states. This is how I’ve finally arrived at the determining venues of the cultural life of Budapest: the theaters. A defining characteristic of my pictures is how they take the recipient to a reversed world: they no longer show the theatre from the viewer’s perspective, but from the point of view of the performer, looking out from the stage. However, instead of an audience, they reveal the grandiose symmetry of the spaces. In this changed role, time slows down, and it becomes a single timeless moment, where the auditoriums break down to waves, colors and moods.